ÐÏࡱá>þÿ jlþÿÿÿiÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿì¥Á€ ð¿ bjbjT~T~ 066Âÿÿÿÿÿÿ·ää'''''ÿÿÿÿ;;;;O;wøccccc>>>o¢À'>>>>>''ccÛ1âââ>j'c'câ>âââcÿÿÿÿ�¾T*x`Ë;¨:âG0wâÑâÑâÑ'â$â>>>â>>>w>>>>ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÑ>>>>>>>>>ä í: The New American Poetry: Fiftieth Anniversary Conference Millburn House, 91Ó°ÊÓÆÆ½â°æ Saturday, 23 October 2010 Schedule 9.30-10.00 – Coffee and introductions 10.00-11.00 – David Herd (Kent), Plenary Address: “‘In the Dawn that is Nowhere’: The New American Poetry and the State of Exception” 11.15-12.15 – Session 1 Amy Evans (KCL), “Beyond Black Mountain: Atomic Anxiety and the New American Poem” Daniel Kane (Sussex), “Ephemerality, Canon and The New American Poetry” 12.15-1.15 – Lunch 1.15-2.15 – Session 2 Olivier Brossard (Paris Est), “‘I Dislike a Great Deal of Contemporary Poetry’: Frank O’Hara and The New American Poetry” Sam Ladkin (Sheffield), “Late Modernism: Frank O’Hara and the New York School” 2.15-3.15 – Session 3 Richard Parker (Sussex), “Louis Zukofsky and/or The New American Poetry” Helen Dennis (Warwick), “Knowing a Man: Robert Creeley, Jazz Collaboration and Timing” 3.15-3.30 – Coffee 3.30-4.30 – Session 4 Ian Brinton, “The New American Poetry in England” Stephen Ross (Oxford), “American Hybrid and the Legacy of the New American Poetry” 4.30-5.30 – General discussion, chaired by Peter Middleton (Southampton) 5.30-7.00 – Dinner 7.00-8.00ish – Poetry reading 8=>jy…«®·ºßà0 1 2 3 8 ; > J P U [ ] ^ ž Ÿ Î å æ ç è ê í ï ò ý    % * + . 1 óèäÙÑÙÑÙÑÙÑÙÑÌäŽÙÑÙÑÙѲѲÑä«ÑžÑ“†ÙÑÙÑÙÑÙÑÙÑ{Ñä{hJf&h:8B*phh™r©h:85�B*phh‡;Öh:8B*phh@,Ãh:86�B*ph h@,Ãh:8h@,Ãh:8B*phh@,Ãh:8\� h:8\�]� h:8\�h:8B*phh±h:8B*phh:8h±hÞ=GB*phhœ?thÞ=G6�B*ph09:`z{„…«¬2 3 K L Ÿ ç è û ü   � Ü Ý ó ô ïïïïïïïââââââââââââââââââ⠄Є0ý^„Ð`„0ýgd:8$„Є0ý^„Ð`„0ýa$gd:81 3 @ A a j k t ‹ Œ ¥ ¦ ´ Û æ é ò ó  $ ; < = K U V e “ ” ¨ © ² µ Î å  + , 0 C D E Á  ÷óìóìóìäóÙ÷ìó÷Î÷Î÷óÆó¿÷ÙóìóÙ÷Î÷Î÷²÷ª£ª£ªóœ÷• h±h:8 hÀ9h:8 h�pýh:8h�pýh:86�hÀ9h:86�B*ph h@,Ãh:8h‚B‰h:86�h±h:8B*phhJf&h:8B*phhJf&h:86� hJf&h:8h:8h:8B*ph,ô = ” • ¨ © ¿ À ò E F � � £ ¤  òòíííòòòòòòòòòògd:8 „Є0ý^„Ð`„0ýgd:8.:p:8°{. °ÆA!° "° #� $� %°°Ð°Ð �Ä^ _HmH nH sH tH @`ñÿ@ ˆQNormalCJ_HaJmH sH tH DA òÿ¡D Default Paragraph FontRióÿ³R ½ Table Normalö4Ö l4Öaö (k ôÿÁ( No List fþòf Ò"ÛIndent;Æ& 0`�Àð P€°à@1$7$8$H$^„7aJPK!‚мú[Content_Types].xml¬‘ËjÃ0E÷…þƒÐ¶Ørº(¥ØÎ¢Iw},Òä±-j�„4 Éßwì¸Pº-t#bΙ{U®�ã “óTéU^h…d}㨫ôûî)»×*1Pƒ'¬ô “^××Wåî0)™¦Též9<“l�#¤Ü$yi}�å;À~@‡æ¶(îŒõÄHœñÄÐuù* D× zƒÈ/0ŠÇ° ðûù $€˜ X«Ç3aZ¢ÒÂà,°D0j~è3ß¶Îbãí~i>ƒØÍ3¿\`õ?ê/ç[ج¶Géâ\Ä!ý-ÛRk.“sþÔ»�..—·´aæ¿­?ÿÿPK!¥Ö§çÀ6 _rels/.rels„�ÏjÃ0 ‡ï…½ƒÑ}QÒÃ%v/¥�C/£}á(h"ÛëÛOÇ »„¤ï÷©=þ®‹ùá”ç šªÃâC?Ëháv=¿‚É…¤§%[xp†£{Ûµ_¼PÑ£<Í1¥H¶0•ˆÙO¼R®BdÑÉÒJEÛ4b$§‘q_טžà6LÓõR×7`®�¨Éÿ³Ã0ÌžOÁ¯,åEn7”Liäb¡¨/ãS½�¨eªÔе¸ùÖýÿÿPK!ky–ƒŠtheme/theme/themeManager.xml ÌM à @á}¡w�Ù7c»(Eb²Ë®»öCœAÇ ÒŸÛ×åãƒ7ÎßÕ›K Y,œ ŠeÍ.ˆ·ð|,§¨ÚHÅ,láÇæéxÉ´�ßIÈsQ}#Õ�…­µÝ Öµ+Õ!ï,Ý^¹$j=‹GWèÓ÷)âEë+& 8ýÿÿPK!–µ­â–Ptheme/theme/theme1.xmlìYOoÛ6¿Øw toc'vuŠØ±›-MÄn‡i‰–ØP¢@ÒI}Úã€úa‡Øm‡a[�Ø¥û4Ù:lЯ°GR’ÅX^’6ØŠ­>$ùãûÿ©«×îÇ !)OÚ^ýrÍC$ñy@“°íÝö/­yH*œ˜ñ„´½)‘Þµ�÷ß»Š×UDb‚`}"×qÛ‹”J×—–¤ÃX^æ)I`nÌEŒ¼Šp)øèÆli¹V[]Š1M<”àÈÞ�©OÐP“ô6râ=¯‰’zÀgb Ig…Áu��SÙebÖö€OÀ�†ä¾òÃRÁDÛ«™Ÿ·´qu ¯g‹˜Z°¶´®o~ÙºlAp°lxŠpT0­÷­+[}`j×ëõº½zAϰV–2ÍF­ÞÉi–@öqžv·Ö¬5\|‰þʜ̭N§Óle²X¢dsøµÚjcsÙÁ�Å7çð�Îf·»êà ÈâWçðý+­Õ†‹7 ˆÑä`­ÚïgÔ È˜³íJøÀ×j|†‚h(¢K³óD-еß㢠dXÑ©iJÆØ‡(îâx$(Ö ð:Á¥;ä˹!Í I_ÐTµ½S 1£÷êù÷¯ž?EÇž?øéøáÃã?ZBΪmœ„åU/¿ýìÏÇ£?ž~óòÑÕxYÆÿúÃ'¿üüy5Òg&΋/ŸüöìÉ‹¯>ýý»GðM�Geø�ÆD¢›äíó3Vq%'#q¾ÃÓòŠÍ$”8ÁšKýžŠôÍ)f™w9:ĵàå£ x}rÏx‰‰¢œw¢ØîrÎ:\TZaGó*™y8IÂjæbRÆíc|XÅ»‹Ç¿½I u3KGñnD1÷NIBÒsü€� íîRêØu—ú‚K>Vè.EL+M2¤#'šf‹¶i ~™Vé þvl³{u8«Òz‹ºHÈ Ì*„æ˜ñ:ž(W‘☕ ~«¨JÈÁTøe\O*ðtHG½€HYµæ–}KNßÁP±*ݾ˦±‹ŠTѼ�9/#·øA7ÂqZ…Ð$*c?�¢íqUßån†èwðNºû%Ž»O¯·ièˆ4 =3Ú—Pª� ÓäïÊ1£P�m \\9†øâëÇ‘õ¶âMØ“ª2aûDù]„;Yt»\ôí¯¹[x’ìóù�ç]É}Wr½ÿ|É]”Ïg-´³Ú eW÷ ¶)6-r¼°CSÆjÊÈ išd ûDЇA½ÎœIqbJ#xÌ꺃 6k�àê#ª¢A„Sh°ëž&ÊŒt(QÊ%ìÌp%m�‡&]ÙcaSl=�XíòÀ¯èáü\P�1»MhŸ9£Mà¬ÌV®dDAí×aV×B�™[݈fJ�íP|8¯ Ö„AÛV^…ó¹f ÌH ín÷ÞÜ-Æ é"á€d>ÒzÏû¨nœ”ÇŠ¹ €Ø©ð‘>ä�bµ·–&ûÜÎâ¤2»Æv¹÷ÞÄKyϼ¤óöD:²¤œœ,AGm¯Õ\nzÈÇiÛÙã¼.uχYC¾6ìOMf“å3o¶rÅÜ$¨Ã5…µûœÂNH…T[XF64ÌT,Ñœ¬üËM0ëE)`#ý5¤XYƒ`ø×¤;º®%ã1ñUÙÙ¥m;ûš•R>QD ¢à�ØDìcp¿UÐ' ®&LEÐ/p�¦­m¦Üâœ%]ùöÊàì8fi„³r«S4Ïd 7y\È`ÞJâ�n•²åίŠIù R¥Æÿ3Uô~7+�ö€׸#�¯m� q¨BiDý¾€ÆÁÔˆ¸‹…i*¸L6ÿ9ÔÿmÎY&­áÀ§öiˆ…ýHE‚�=(K&úN!VÏö.K’e„LD•Ä•©{D 긪÷vEꦚdeÀàNÆŸûžeÐ(ÔMN9ßœRì½6þéÎÇ&3(åÖaÓÐäö/D¬ØUíz³<ß{ËŠè‰Y›Õȳ˜•¶‚V–ö¯)Â9·Z[±æ4^næÂ�ç5†Á¢!Já¾é?°ÿQá3ûeBo¨C¾µÁ‡M ¢ú’m<�.�vp�“´Á¤IYÓf­“¶Z¾Y_p§[ð=al-ÙYü}NcÍ™ËÎÉÅ‹4vfaÇÖvl¡©Á³'S†ÆùAÆ8Æ|Ò*uâ£{àè-¸ßŸ0%M0Á7%�¡õ˜<€ä·ÍÒ�¿ÿÿPK! Ñ�Ÿ¶'theme/theme/_rels/themeManager.xml.rels„�M Â0„÷‚wooÓº‘&݈ЭÔ„ä5 6?$Qìí ®,.‡a¾™i»—�Éc2Þ1hª:é•qšÁm¸ìŽ@RN‰Ù;d°`‚Žo7íg‘K(M&$R(.1˜r'J“œÐŠTù€®8£�Vä"£¦AÈ»ÐH÷u} ñ›|Å$½b{Õ–Pšÿ³ý8‰g/]þQAsÙ…(¢ÆÌà#›ªLÊ[ººÄßÿÿPK-!‚мú[Content_Types].xmlPK-!¥Ö§çÀ6 +_rels/.relsPK-!ky–ƒŠtheme/theme/themeManager.xmlPK-!–µ­â–PÑtheme/theme/theme1.xmlPK-! Ñ�Ÿ¶'› theme/theme/_rels/themeManager.xml.relsPK]–  ÿÿÿÿ1   ô   ð8ð@ñÿÿÿ€€€÷ð’ðð0ð( ð@@@A@ ððB ðS ð¿Ëÿ ?ð]dejks¶Â+.‘—lsÄôûÎÑ+.$'Ä3333å:8Þ=G7 ÒÂÄÿ@Âh@ÿÿUnknownÿÿÿÿÿÿÿÿÿÿÿÿG�‡* €ÿTimes New Roman5�€Symbol3.� ‡* €ÿArialA�ï ë BŸCambria Math 1ˆðÐhSòé†Sòé†Eò醵 µ éð¥À´´€24dÀÀJ#QðüýHñÿ?'ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ"Œ2ÿÿ%States of Damage: Colloquium scheduleOffice 2004 Test Drive User IT Servicesþÿà…ŸòùOh«‘+'³Ù0,Ž˜ ÐÜ  0< \ h t €Œ”œ¤¬ä(States of Damage: Colloquium scheduleOffice 2004 Test Drive UserNormal IT Services2Microsoft Office Word@q@ž½-v`Ë@rk"x`Ë@rk"x`˵ GxŒÿÿÿÿýQt¤ +F&" WMFCf· Eel^hýQt EMFe–˜žÊ #Ëf   ^h% €% € Rpœÿÿÿ�@Times New Romanb dðb Èób Hñb RO`2Èób Àðb 0òb ¬ób $O`2Èób Àðb ¬v.1Àðb Èób ÿÿÿÿ<Õ'w.1ÿÿ€ÿÿ€�€ÿÿÿÿïXG�‡* €ÿTimes ew RomanÀób ôðb î9'10ñb 0ñb z%1Xñb <Õdv% % %  TØ�X± É_̇@?@‡@�²L^h|The New American Poetry82,C,C=H,',22=2,(,Rpœÿÿÿ�@Times New Romanb dðb Èób Hñb RO`2Èób Àðb 0òb ¬ób $O`2Èób Àðb ¬v.1Àðb Èób ÿÿÿÿ\ Õ'w.1ÿÿ€ÿÿ€�€ÿÿÿÿïXG�‡* €ÿTimes ew Romanôðb î9'10ñb 0ñb z%1Xñb \ Õdv% % % TT² XÍ É_̇@?@‡@² ²L^hP:TTÎ Xú É_̇@?@‡@Î ²L^hP - T%Ë7 <_̇@?@‡@%%L^hŒFiftieth Anniversary Conference7!,2H222,!'-#0C22!,!,3,-TT8 Ëd <_̇@?@‡@8 %L^hP - TT¯ >Û ¯_̇@?@‡@¯ ˜L^hP - T`‹±"_̇@?@‡@‹ L^hTMilYTT±7"_̇@?@‡@ L^hPlT8±Ò "_̇@?@‡@8 !L^h�burn House, University of Warwick22!2H22',H22,!(02!_,!H,3TTÓ ±ÿ "_̇@?@‡@Ó L^hP - Tˆ”$( •_̇@?@‡@”~ L^h`Saturday, 8,2!2-0T¨) $É •_̇@?@‡@) ~L^hl23 October 201022H,22-!2322TTÊ $ö •_̇@?@‡@Ê ~L^hP - TT¯ —Û _̇@?@‡@¯ ñL^hP - T|÷ e {_̇@?@‡@÷dL^h\Schedule8,2,22-TTf ’ {_̇@?@‡@f dL^hP - TTX}„î_̇@?@‡@X×L^hP - TdXða_̇@?@‡@XJL^hT9.30222TTð'a_̇@?@‡@JL^hP-!Tp(ð!a_̇@?@‡@(JL^hX10.00 2222TT!ðTa_̇@?@‡@"JL^hP 2TTTðla_̇@?@‡@TJL^hP TÜmðOa_̇@?@‡@mJL^h|Coffee and introductionsC2!!,,,222!222,22'TTPð|a_̇@?@‡@PJL^hP - TTXc„Ô_̇@?@‡@X½L^hP - TXXÖ»G_̇@?@‡@X0L^hP1022T`¼Ö8G_̇@?@‡@¼0L^hT.0022TT9ÖYG_̇@?@‡@90L^hP-!TlZÖ:G_̇@?@‡@Z0L^hX11.002222TT;ÖSG_̇@?@‡@;0L^hP TTSÖ†G_̇@?@‡@T0L^hP ÿÿ2TT†ÖžG_̇@?@‡@†0L^hP T,ŸÖ· G_̇@?@‡@Ÿ0%L^h˜David Herd (Kent), Plenary Address:  ÿÿH,22H-"2!H,2!8,2-#0H22!,(',TT¸ ÖÙ G_̇@?@‡@¸ 0L^hP "T Ú ÖG_̇@?@‡@Ú 0 L^hŒIn the Dawn that is Nowhere : Th 22,H-H22,'H2H2,",!=2TXÖcG_̇@?@‡@0L^hPe , T`‚I: º_̇@?@‡@„£.L^h¨New American Poetry and the State of ExceptionH,HHN-!,,282,#0,322,8,,2!=3,,222TT; If º_̇@?@‡@; £L^hP ,TTg I“ º_̇@?@‡@g £L^hP - TTX¼„-_̇@?@‡@XL^hP - TlX/8 _̇@?@‡@X‰L^hX11.152222TT9/Y _̇@?@‡@9‰L^hP-!TXZ/½ _̇@?@‡@Z‰L^hP1222T`¾/: _̇@?@‡@¾‰L^hT.1522TT;/S _̇@?@‡@;‰L^hP TTS/† _̇@?@‡@T‰L^hP 2TT†/ž _̇@?@‡@†‰L^hP T„Ÿ/ _̇@?@‡@Ÿ‰ L^h`Session 18,''222TT/H _̇@?@‡@‰L^hP - TTX¢„ _̇@?@‡@XüL^hP - TdX 7† _̇@?@‡@Xo L^hTAmy HO0Tl8 ,† _̇@?@‡@8o L^hXEvans=2-2'TT- E† _̇@?@‡@-o L^hP TlF O† _̇@?@‡@Fo L^hX(KCL)!HD<!TXP �† _̇@?@‡@Po L^hP, TT‚ ®† _̇@?@‡@‚o L^hP -T°¯ † _̇@?@‡@¯o ;L^hÄBeyond Black Mountain: Atomic Anxiety and the New American C.1222B,,2Y222,2H2N,H23,/,222,H-HHN,!,,2 Tl„ˆ “ù _̇@?@‡@„â L^hXPoem ÿÿ82,N,TT&" WMFC %e”ˆ Àù _̇@?@‡@”â L^hP - % % % ThXû 1 l _̇@?@‡@XU /L^h¬Daniel Kane (Sussex),  Ephemerality, Canon and H,2,H,3,!82'',3!,=22,N,!,0C,222,23% % % TØ2 û Sl _̇@?@‡@2 U L^h|The New American Poetry82,C,C=H,',22=2,',% % % TTTû €l _̇@?@‡@TU L^hP ÿÿ-TT�û ­l _̇@?@‡@�U L^hP ÿÿ- Rpœÿÿÿ¼@Times New Romanb dðb Èób Hñb RO`2Èób Àðb 0òb ¬ób $O`2Èób Àðb ¬v.1Àðb Èób ÿÿÿÿœ Õ'w.1ÿÿ€ÿÿ€�€ÿÿÿÿïXG�‡* €ÿTimes ew Roman–Y`2ôðb î9'10ñb 0ñb z%1Xñb œ Õdv% % % TTXn �ß _̇@?@‡@XÊ L^hP 6 % % % TXXá »R _̇@?@‡@X; L^hP1222T`¼á 8R _̇@?@‡@¼; L^hT.1522TT9á YR _̇@?@‡@9; L^hP-!TTZá ‹R _̇@?@‡@Z; L^hP12T`Œá R _̇@?@‡@Œ; L^hT.1522TT á !R _̇@?@‡@ ; L^hP TT!á TR _̇@?@‡@"; L^hP 2TTTá mR _̇@?@‡@T; L^hP Tlná lR _̇@?@‡@n; L^hXLunch;23,3TTmá ™R _̇@?@‡@m; L^hP - TTXT „Å _̇@?@‡@X® L^hP - TTXÇ ‰8 _̇@?@‡@X! L^hP12T`ŠÇ 8 _̇@?@‡@Š! L^hT.1522TTÇ '8 _̇@?@‡@! L^hP-!Td(Ç Ö8 _̇@?@‡@(! L^hT2.15222TT×Ç ï8 _̇@?@‡@×! L^hP TTïÇ "8 _̇@?@‡@ð! L^hP 2TT"Ç :8 _̇@?@‡@"! L^hP T„;Ç ·8 _̇@?@‡@;! L^h`Session 28,''222TT¸Ç ä8 _̇@?@‡@¸! L^hP - TTX: „« _̇@?@‡@X” L^hP - T¸X­ ( _̇@?@‡@X L^hpOlivier Brossard (H2,!B!2'(,!2!Tl)­ ð _̇@?@‡@) L^hXParis8,!'TTñ­  _̇@?@‡@ñ L^hP T` ­ Š _̇@?@‡@  L^hTEst>'T`‹­ Ý _̇@?@‡@‹ L^hT), !TXÞ­ + _̇@?@‡@Þ L^hP  ,"Tœ,­ ,  _̇@?@‡@, L^hhI Dislike a G H'2,,HTT- ­ M  _̇@?@‡@-  L^hPr!T N ­ ž _̇@?@‡@N  L^hŒeat Deal of Contemporary Poetry -,I,,2!C22,N22!-#082-"0!T„Ÿ­  _̇@?@‡@Ÿ L^h`: Frank O7!,32HTT­ ? _̇@?@‡@ L^hP !Tl@­  _̇@?@‡@@ L^hXHara I,!, % % % Td„ ,‘ _̇@?@‡@„z L^hTand ,22% % % TØ- N‘ _̇@?@‡@-z L^h|The New American Poetry82,C,C=H,',22>2,',% % % TTO {‘ _̇@?@‡@Oz L^hP -TT| ¨‘ _̇@?@‡@|z L^hP ÿÿ- TÜX“ 9_̇@?@‡@Xí L^h|Sam Ladkin (Sheffield), 8,N;,222!82-!!,2!TT:“ f_̇@?@‡@:í L^hP -T g“ ý_̇@?@‡@gí L^hhLate Modernism<,,Y22-!2'NT8þ“ ´_̇@?@‡@þí 'L^hœ: Frank O Hara and the New York School �7!,22H!H,",,222,H,HH3"28,222,TTµ“ á_̇@?@‡@µí L^hP - TTX„w_̇@?@‡@X`L^hP - TdXyê_̇@?@‡@XÓL^hT2.15222TTy'ê_̇@?@‡@ÓL^hP-�!Td(yÖê_̇@?@‡@(ÓL^hT3.15222TT×yïê_̇@?@‡@×ÓL^hP TTïy"ê_̇@?@‡@ðÓL^hP 2TT"y:ê_̇@?@‡@"ÓL^hP ÿÿT„;y·ê_̇@?@‡@;Ó L^h`Session 38,''222TT¸yäê_̇@?@‡@¸ÓL^hP ÿÿ- TTXì„]_̇@?@‡@XFL^hP - % % % T”X_cÐ_̇@?@‡@X¹ L^hdRichard ParkC,2,!28,!2T d_‚Ð_̇@?@‡@d¹L^hher (Sussex),  -!!82'',3!-TЃ_/ Ð_̇@?@‡@ƒ¹L^hxLouis Zukofsky and/or ;22'<223!'40,222!% % % TØ0 _QÐ_̇@?@‡@0 ¹L^h|The New American Poetry82,C,C=H,',22=2,(,% % %&" WMFC e TTR_~Ð_̇@?@‡@R¹L^hP -TT_«Ð_̇@?@‡@¹L^hP - T XÒ³C_̇@?@‡@X,L^hhHelen Dennis (H,,2H,22'!Tˆ´ÒvC_̇@?@‡@´, L^h`Warwick), _-!H,2"TTwÒ¢C_̇@?@‡@w,L^hP ,T¨£Ò` C_̇@?@‡@£,L^hlKnowing a Man: H22H31,Y,2T`a ÒóC_̇@?@‡@a ,.L^h¨Robert Creeley, Jazz Collaboration and Timing C22-!C!,,.0(,--C2,22!,22,22=N21-TTôÒ C_̇@?@‡@ô,L^hP - TTXE„¶_̇@?@‡@XŸL^hP - TdX¸)_̇@?@‡@XL^hT3.15222TT¸')_̇@?@‡@L^hP-!Tl(¸ï)_̇@?@‡@(L^hX3.30 222TTï¸")_̇@?@‡@ðL^hP 2TT"¸:)_̇@?@‡@"L^hP Tp;¸J)_̇@?@‡@;L^hXCoffeeC2!!,-TTK¸w)_̇@?@‡@KL^hP - TTX+„œ_̇@?@‡@X…L^hP - TdXž_̇@?@‡@XøL^hT3.30222TTž'_̇@?@‡@øL^hP-U!Td(žÖ_̇@?@‡@(øL^hT4.30222TTמï_̇@?@‡@×øL^hP TTïž"_̇@?@‡@ðøL^hP 2TT"ž:_̇@?@‡@"øL^hP T„;ž·_̇@?@‡@;ø L^h`Session 48,''222TT¸žä_̇@?@‡@¸øL^hP - TTX„‚_̇@?@‡@XkL^hP - % % % T X„õ_̇@?@‡@XÞL^hhIan Brinton,  -2C!222,% % % TØ€„¡õ_̇@?@‡@€ÞL^h|The New American Poetry82,C,C>H,',22=2,',% % % TT¢„ºõ_̇@?@‡@¢ÞL^hP T�»„› õ_̇@?@‡@»Þ L^hdin England 2=31-22,TTœ „È õ_̇@?@‡@œ ÞL^hP - % % % T X÷¯h_̇@?@‡@XQL^hhStephen Ross (8,22,2C2''!Tˆ°÷Ph_̇@?@‡@°Q L^h`Oxford),  H3!2!2!-% % % T¨K÷ h_̇@?@‡@QQL^hlAmerican Hybrid=H,',22H,2'2% % % TT ÷" h_̇@?@‡@ QL^hP T´# ÷û h_̇@?@‡@# QL^hpand the Legacy of,222-;-2,.03!% % % TTò ÷ h_̇@?@‡@ò QL^hP % % % Td ÷� h_̇@?@‡@ QL^hTthe 2,% % % TÀœ ÷h_̇@?@‡@ž QL^htNew American PoetryC,C=H,(,22=2,',% % % TT÷=h_̇@?@‡@QL^hP -TT>÷jh_̇@?@‡@>QL^hP - TTXj„Û_̇@?@‡@XÄL^hP - TdXÝN_̇@?@‡@X7L^hT4.30222TTÝ'N_̇@?@‡@7L^hP-!Tl(ÝïN_̇@?@‡@(7L^hX5.30 222TTïÝ"N_̇@?@‡@ð7L^hP 2TT"Ý:N_̇@?@‡@"7L^hP T´;ÝN_̇@?@‡@;7<L^hÄGeneral discussion, chaired by Peter Middleton (Southampton)H,2-!,2'-2''22,2,!,2408,,!Y22,22!8222,N221!TTÝCN_̇@?@‡@7L^hP - TTXP„Á_̇@?@‡@XªL^hP - TdXÃ4_̇@?@‡@XL^hT5.30222TTÃ'4_̇@?@‡@L^hP-!Tl(Ãï4_̇@?@‡@(L^hX7.00 222TTïÃ"4_̇@?@‡@ðL^hP 2TT"Ã:4_̇@?@‡@"L^hP Tp;ÃP4_̇@?@‡@;L^hXDinnerH22,"TTQÃ}4_̇@?@‡@QL^hP - TTX6„§_̇@?@‡@X�L^hP - TdX©_̇@?@‡@XL^hT7.00222TT©'_̇@?@‡@L^hP-!T|(©d_̇@?@‡@(L^h\8.00ish 222'2TTd©—_̇@?@‡@eL^hP 2TT—©¯_̇@?@‡@—L^hP T °©ù_̇@?@‡@°L^hhPoetry reading82,"0",-222TTú©&_̇@?@‡@úL^hP -% €% €6h6^h6^66g6]g6]66f6\f6\6š&*WMFCe6e6[e6[66d6Zd6Z66c6Yc6Y66b6Xb6X66a6Wa6W66`6V`6V6 6 _6U_6U 6  6 ^6T^6T 6  6 ]6S]6S 6  6 \6R\6R 6  6 [6Q[6Q 6 6Z6PZ6P66Y6OY6O66X6NX6N66W6MW6M66V6LV6L6  ¶ .û¼"System--ûòÿ�@Times New Roman--- .2 ]¡µThe New American Poetry     ûòÿ�@Times New Roman--- 2 ]—¡µ:¶ 2 ]𡵠¶:2 mø¡µFiftieth Anniversary Conference’   2 m©¡µ ¶ 2 |Q¡µ ¶2 Œã¡µMil  2 Œ÷¡µl¶=2 Œû!¡µburn House, 91Ó°ÊÓÆÆ½â°æ     2 Œ¾¡µ ¶2 œ ¡µSaturday, "2 œ>¡µ23 October 2010  2 œš¡µ ¶ 2 «Q¡µ ¶2 »8¡µSchedule 2 »i¡µ ¶ 2 ÊQ¡µ ¶2 ÚQ¡µ9.30 2 Úi¡µ-¶2 Ún¡µ10.00  2 Ú�¡µ–¶ 2 Ú–¡µ ¶/2 Úš¡µCoffee and introductions  2 Ú!¡µ ¶ 2 éQ¡µ ¶2 ùQ¡µ102 ù_¡µ.00 2 ùp¡µ-¶2 ùu¡µ11.00  2 ù“¡µ ¶ 2 ù–¡µ–¶ 2 ù�¡µ ¶C2 ù¡%¡µDavid Herd (Kent), Plenary Address: “     2 ùu¡µ‘¶;2 ùy ¡µIn the Dawn that is Nowhere’: Th     2 ù0¡µe P2 z.¡µNew American Poetry and the State of Exception     2 †¡µ”¶ 2 Œ¡µ ¶ 2 Q¡µ ¶2 (Q¡µ11.15  2 (p¡µ-¶2 (u¡µ122 (‚¡µ.15 2 (“¡µ ¶ 2 (–¡µ–¶ 2 (�¡µ ¶2 (¡ ¡µSession 1 2 (Ô¡µ ¶ 2 7Q¡µ ¶2 GQ¡µAmy 2 Gp¡µEvans  2 G‘¡µ ¶2 G•¡µ(KCL)  2 G¹¡µ,  2 G¿¡µ“¶d2 GÆ;¡µBeyond Black Mountain: Atomic Anxiety and the New American )         2 Vz¡µPoem”   2 VŸ¡µ ¶---R2 fQ/¡µDaniel Kane (Sussex), “Ephemerality, Canon and    ---.2 fb¡µThe New American Poetry   --- 2 fò¡µ”¶ 2 fø¡µ ¶ûòÿ¼@Times New Roman--- 2 vQ¡µ ¶---2 …Q¡µ122 …_¡µ.15 2 …p¡µ-¶ 2 …u¡µ1¶2 …{¡µ.15 2 …Œ¡µ ¶ 2 …�¡µ–¶ 2 …–¡µ ¶2 …š¡µLunch  2 …½¡µ ¶ 2 ”Q¡µ ¶ 2 ¤Q¡µ1¶2 ¤X¡µ.15 2 ¤i¡µ-¶2 ¤n¡µ2.15 2 ¤…¡µ ¶ 2 ¤‰¡µ–¶ 2 ¤�¡µ ¶2 ¤“ ¡µSession 2 2 ¤Ç¡µ ¶ 2 ´Q¡µ ¶&2 ÃQ¡µOlivier Brossard (  2 ó¡µParis  2 ÃÏ¡µ ¶2 ÃÒ¡µEst2 Ã㡵), 2 Ã“‘2 Ãù ¡µI Dislike a G  2 Ã?¡µr¶;2 ÃC ¡µeat Deal of Contemporary Poetry’   2 Ãü ¡µ: Frank O 2 Ã0¡µ’¶2 Ã5¡µHara ---2 Óz¡µand ---.2 Ó‘¡µThe New American Poetry   --- 2 Ó!¡µ”¶ 2 Ó'¡µ ¶/2 âQ¡µSam Ladkin (Sheffield),   2 âØ¡µ“¶ 2 âß¡µLate Modernism  F2 â9'¡µ: Frank O’Hara and the New York School”      2 â"¡µ ¶ 2 òQ¡µ ¶2 Q¡µ2.15 2 i¡µ-¶2 n¡µ3.15 2 …¡µ ¶ 2 ‰¡µ–¶ 2 �¡µ ¶2 “ ¡µSession 3 2 Ç¡µ ¶ 2 Q¡µ ¶---2 Q ¡µRichard Park  2 ™¡µer (Sussex), “,2 ⡵Louis Zukofsky and/or ---.2 b¡µThe New American Poetry    --- 2 ò¡µ”¶ 2 ø¡µ ¶ 2 0Q¡µHelen Dennis (  2 0¤ ¡µWarwick),   2 0ᡵ“¶"2 0硵Knowing a Man:   P2 0F.¡µRobert Creeley, Jazz Collaboration and Timing”      2 0M¡µ ¶ 2 ?Q¡µ ¶2 OQ¡µ3.15 2 Oi¡µ-¶2 On¡µ3.30  2 O‰¡µ–¶ 2 O�¡µ ¶2 O“¡µCoffee  2 O¸¡µ ¶ 2 _Q¡µ ¶2 nQ¡µ3.30 2 ni¡µ-¶2 nn¡µ4.30 2 n…¡µ ¶ 2 n‰¡µ–¶ 2 n�¡µ ¶2 n“ ¡µSession 4 2 nÇ¡µ ¶ 2 ~Q¡µ ¶--- 2 �Q¡µIan Brinton, “ ---.2 �œ¡µThe New American Poetry    --- 2 �,¡µ ¶2 �0 ¡µin England”  2 �q¡µ ¶--- 2 �Q¡µStephen Ross ( 2 �£ ¡µOxford), “ ---"2 �Ü¡µAmerican Hybrid  --- 2 �:¡µ ¶%2 �>¡µand the Legacy ofP--- 2 �Ÿ¡µ ¶---2 �£¡µthe ---(2 �·¡µNew American Poetrye    --- 2 �/¡µ”¶ 2 �5¡µ ¶ 2 ¬Q¡µ ¶2 ¼Q¡µ4.30 2 ¼i¡µ-¶2 ¼n¡µ5.30 e 2 ¼‰¡µ–¶ 2 ¼�¡µ ¶e2 ¼“<¡µGeneral discussion, chaired by Peter Middleton (Southampton)    2 ¼ê¡µ ¶ 2 ËQ¡µ ¶2 ÛQ¡µ5.30 2 Ûi¡µ-¶2 Ûn¡µ7.00 e 2 Û‰¡µ–¶ 2 Û�¡µ ¶2 Û“¡µDinner  2 Û¹¡µ ¶ 2 ëQ¡µ ¶2 úQ¡µ7.00 2 úi¡µ-¶2 ún¡µ8.00ish  2 ú™¡µ–¶ 2 ú ¡µ ¶ 2 ú£¡µPoetry reading 2 úó¡µ ¶--µµ¡¡µµ¡¡µµ¡¡µµ¡¡´´¡¡´´¡¡´´  ´´  ´´  ´´  ´´  ³³  ³³  ³³  ³³ŸŸ³³ŸŸ³³ŸŸ³³ŸŸ²²ŸŸþÿÕÍÕœ.“—+,ù®0  hp�˜ ¨ °¸ÀÈ Ð ä91Ó°ÊÓÆÆ½â°æÀ &States of Damage: Colloquium schedule Title þÿÿÿ þÿÿÿ !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`þÿÿÿbcdefghþÿÿÿýÿÿÿkþÿÿÿþÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿRoot Entryÿÿÿÿÿÿÿÿ ÀF BJ+x`Ëm€1Tableÿÿÿÿÿÿÿÿ ÑWordDocumentÿÿÿÿÿÿÿÿ0SummaryInformation(ÿÿÿÿ\ŽDocumentSummaryInformation8ÿÿÿÿÿÿÿÿÿÿÿÿaCompObjÿÿÿÿÿÿÿÿÿÿÿÿyÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿþÿ ÿÿÿÿ ÀF'Microsoft Office Word 97-2003 Document MSWordDocWord.Document.8ô9²q