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-other elements of form -characterization -socio-cultural aspects -themes Decameron: Aspects of Structure Brigata: 7 young women (Pampinea, Fiammetta, Filomena, Emilia, Lauretta, Neifile, Elisa) and 3 young men (Panfilo, Filostrato, Dioneo) Cornice: proemio, introduction and conclusion and also separate introductions and conclusions to each of the days Day One (Pampinea): free subject Day Two (Filomena): overcoming adversity to reach a happy end Day Three (Neifile): gain or recovery of something desired through industry Day Four (Filostrato): loves which had an unhappy end Day Five (Fiammetta): lovers after great trials that have felicitous outcome Day Six (Elissa): avoidance of infamy, loss or danger through action or wit Day Seven (Dioneo): tricks played by women on men Day Eight (Lauretta): tricks played by men on women and by women on men Day Nine (Emilia): free subject Day Ten (Panfilo): actions regarding love or other things done with liberality or magnificence Geoffrey Chaucer (c. 1343–1400) Biographical outline: b. in London, c. 1343 Early teens: various contacts with high aristocracy 1359, participant in expedition of Edward III against France Study of law, Oxford Service to King and diplomatic missions (Italy, 1372–73 and 1378; Flanders, 1377) 1374–: Controller of the Cusoms and Subsidies on Wools, Skins, and Hides for the Port of London 1386–88: life in Kent 1389–: Clerk of the King’s Works Main works: The Book of the Duchess (1369–70) showing influence of Petrarch Translation (via French) of Boethius, The Consolation of Philosophy The House of Fame showing influence of Dante Troilus and Criseyde (Troy romance) showing influence of Boccaccio’s Filostrato The Parliament of Fowls (dream allegory) again reflecting Boccaccio’s influence Treatise on the Astrolabe The Legend of Good Women and influence of Ovid The Canterbury Tales (c. 1385–1400) Important features of CT: -models -status of poetry -framing device -incomplete -order? 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